Social Media Marketing:

PR and Copy Writing work: 


Project Manager work:

  • Project Manager at Trident Gallery, Gloucester. I provided assistance with inventory and digital image management, marketing publications, social media, event planning, and mailings. I liaised with the Gallery’s PR firm and vendors. I worked with the objects in the Trident Gallery collection, and helped organize outreach and programming. Jan. 2014-Apr. 2014
  • Project manager, researcher and writer, applications for Montserrat College of Art’s planned Master’s Degree program in Art and Community Leadership. Tasks include market research. Nov. 2012-Sept. 2013.

Committee reports and self-studies I have participated in as writer/editor:

  • Researcher and writer, 2012-2015 Montserrat College of Art “Three-year Strategic Planning Report.” August 2012-Oct. 2012.
  • Co-editor, Montserrat College of Art  2011 NEASC Decennial Self-study.

Publications that I copy-edited/formatted for publication:

Publications that I co-publish/co-edit:


A selection of my contributions to various publications:

  • Review of Aneta Georgievska-Shine and Larry Silver, Rubens, Velázquez, and the King of Spain. Notes on Early Modern Art, vol. 2, no. 1 (2015): 47-49. NOEMA 2/1

Screen Shot 2014-09-30 at 10.17.09 AM

  • “An absolute and entire Art.” Review of Boudewijn Bakker, Landscape and Religion: from Van Eyck to Rembrandt. Sixteenth Century Journal, vol. 44, issue 3 (Fall 2013): 940.
  • 10264811_10203565167508941_6740768925028569352_n“Deconstructing Feminine Civility: Counter-Portraits of Élite Women by Jan Steen.” Notes on Early Modern Art, vol. 1, no. 1 (2014): 31-46.
  • “The Elephant in the Living Room:  Jan Steen’s Fantasy Interior as Parodic Portrait of the Schoutens.” Aurora: The Journal of the History of Art, vol. XI (December 2010): 65-93.
  • “Enchanting the Intellect and the Eye.” Review of Aneta Georgievska-Shine, Rubens and the Archaeology of Myth, 1610-1620:  Visual and Poetic Memory. Aurora: The Journal of the History of Art, vol. XI (December 2010): 115-119.
  • “Presence in Absence as an Artistic Mode.” Review of Mia Mochizuki, The Netherlandish Image after Iconoclasm, 1566–1672: Material Religion in the Dutch Golden AgeAurora: The Journal of the History of Art, vol. X (November 2009): 131-138.
  • “The Wise Man Has Two Tongues: Images of the Satyr and the Peasant by Jordaens and Steen.” Myth in History: History in Myth.  Society for Netherlandic History Third Annual Conference Proceedings.  Eds.  Willem Frijhoff and Laura Cruz. E.J. Brill, 2009.
  • Catalogue entries in Realism and Invention in the Prints of Albrecht Dürer, The Art Gallery, U.N.H., Durham, New Hampshire, 1995.

I am published online at the following websites:

Open Inquiry Archive.

“For the Record” Exhibition Blogspot.

Bread & Circus Online Magazine.

HNET Online.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s